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STATEMENT
From a wide array of materials, I create assemblage paintings that are intended to be emotionally resonant and evocative. My visual language has a powerful physicality. Sometimes architect, I build up surfaces with oriental and hand made papers, paint, plaster, wood, sand, and found objects—layering, adding materials, arranging space and rearranging it. Sometimes archeologist, I dig, gauge, peel, probe, sand, and scratch my surfaces.
The work portrays not only the complexity of the surface itself-- the dynamic interplay of form, color, and texture-- but also the mysteries which lie beneath the surface, the layers of life and experience that are always present but never entirely visible.
Psychotherapist as well as artist, I am drawn to the creative process as a vital and liberating expression of human experience. My work has always been deeply personal. The paintings, themselves, are simultaneously strong and fragile, conveying both process and the arresting intricacy of inner life.
Judith Greenwald
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Judith Greenwald
199 St Johns Place
Brooklyn, New York 11217
718-768-1555
judegreen@aol.com
SOLO EXHIBITIONS
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| 2008 |
reVISION , Ceres Gallery, NYC |
| 2005 |
Witness, Ceres Gallery, NYC |
| 2003 |
Perspective, Ceres Gallery, NYC |
| 2000 |
Multiple Surfaces/Multiple Selves, Ceres Gallery, NYC |
| 1998 |
Transitional Spaces, Ceres Gallery, New York City |
| 1997 |
Transitional Spaces , Spencertown Academy, Spencertown, NY |
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The Gallery, 2 Depot, Chatham, NY |
| SELECTED GROUP EXHIBITIONS |
| 2007 |
Scratching the Surface, Ceres Gallery, NYC |
| 2006 |
Square Show, Ceres Gallery, NYC |
| 2005 |
Issues and Angles, Ceres Gallery, NYC |
| 2004 |
Square Show, Ceres Gallery, NYC |
| 2003 |
Square Show, Ceres Gallery, NYC |
| 2002 |
Transformations, Lamia Ink, Sakai City Municipal Museum, Japan |
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Transformations, Lamia Ink, Florence Lynch Gallery, NYC |
| 1999 |
Summer Ensemble, Ceres Gallery, NYC |
| 1996 |
Spencertown Academy Benefit Show: Habitat for Humanity
Park Row Gallery, 10th Anniversary Show, Chatham, NY
Lulu’s Gallery, Albany, NY
Twentieth Annual Small Works Show, NYC
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| 1995 |
Spencertown Academy Juried Show, Spencertown, NY (third prize)
Art on the Block, Park Slope, Brooklyn, NY |
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| 1994 |
Mertz, Ward-Nasse Gallery, NYC
OIA Salon Show, New York City
Open/Shut: Exploring Women’s Lives, The Crystal Quilt, NYC |
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| 1993 |
Holiday Salon Show, Ceres Gallery, NYC
Women’s Ways of SeeingII, The Crystal Quilt, NYC
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| 1992 |
Women’s Ways of Seeing, The Crystal Quilt, NYC |
| 2001 |
Encaustic, R+F Studios |
| 1998-1999 |
Mixed media with Juliet Holland |
| 1995-1997 |
Critique class with Nancy Azara |
| 1993-1994 |
Monoprinting with Lisa Mackie; Bob Blackburn Studio |
| 1993 |
Sculptural papermaking; Dieu Donne Papermill |
| 1992 |
Papermaking; Interlaken School of Art |
| 1990-1993 |
Collage with Bruce Dorfman; The New School, Art Student’s League |
| 1989-1990 |
Critique class with Lillian Ball |
Back to top
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547 West 27th Street Suite 201 New York, NY 10001 : 212-947-6100 :art@ceresgallery.org
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