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STATEMENT
As global warming continues, our planet faces many changes. Rising temperatures warm the seas, causing them to expand and rising temperatures melt the ice causing seas to rise. Where does this water go when land meets the sea? What is this artist’s response to these potential catastrophic consequences threatening the alteration of the landscape?
Different land masses will be altered differently causing various behaviors and responses in each population. People behave differently because their landscape is different. Some countries will be greatly affected – the people of Greenland are now planting gardens – others will be affected only mildly. People will be forced to interact differently with their surrounding waters. Jellyfish like warm waters and therefore are appearing earlier and in larger numbers and are causing people to use beaches differently. Fishing is changing as water temperature rises – cold water fish go further north and warm water fish do the same.
Composed of a variety of segments, each researched factual digital print represents a geographic country, territory or state. Assembled as digital collages, the prints include maps – which frequently depict loss of land at various rising sea levels - colors, costume and flora and fauna. Together, as a whole, the segments represent the changes that are happening and can develop.
The expressionistic oil paintings symbolize both the anguish and destruction of peoples’ lives and lands as well as the response of the artist to these changes. To emphasize the responses, groups of individual paintings are hung together.
The digital prints depict the threat; the paintings depict the emotional response to the potential result. One is the cause the other is the consequence of seas rising.
Ann R. Shapiro, Ph.D.
201 East 28th Street
New York, New York 10016
(212) 683-6838
Shapann@aol.com
www.ceresgallery.org
Exhibitions
Solo: |
2008 |
Seas Rising , Ceres Gallery, Sept. 30 – Oct. 25 |
2006 |
Impact, Ceres Gallery, NYC, March 28-April 22 |
2004 |
Meanderings, Paintings and Digital Work, Ceres Gallery |
2002 |
Maps and Memory and Extracting Memory, Ceres Gallery |
1996 |
Constructs: Lurching into the Next Century by Shaping Remembered Environments, New Hampshire College, Manchester, NH |
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1995 |
Landscapes of Maine and New Hampshire, Deer Isle Artist's Association, Deer isle, ME |
1994 |
Landscapes, New Hampshire College, Manchester, NH |
Selected Group: |
2008 |
Gallery 225, Nov. 13 - Dec. 24, A Gift of Art, Harv Toback, Curator, NYC |
2007 |
National Association of Women Artists, NYC, “X + 1”, October 2 - October 31, 2007, (invitational)
Ceres Gallery, Scratching the Surface , June 19 – July 14
Chappaqua (NY) Library Gallery, M R Rosenberg, Visual Poetry/Artists' Books , Collaborative Book Work, “Color Codes”
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2006 |
Krasdale Gallery, Bronx, NY, Juror/Curator, Sigmund Balka, Main Line Art Center, Betsy Meyer Memorial exhibition, Haverford, PA, Juror, Elizabeth Osborne |
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2005 |
New Books Editions: Old, New Digital, O'Hanlon Center for the Arts, Mill Valley, CA, Juror, Betsy Davids |
2003 |
Ceres Gallery, Ceres at 20, Birthday Duet |
2002 |
Art Sites Gallery, Greenport, NY, Glynnis Berry, Curator
A.I. R. Gallery, Generations III: A Survey of Woman Artists at the Millennium (invitational) |
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2000 |
A.I.R. Gallery Generations II: A Survey of Woman Artists at the Millennium, (invitational) |
1998 |
Jews, Women and Art, National Jewish Museum, Washington, D.C., Ori Z. Soltes, Director/Curator
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Reviews and Notations |
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Leibel, Aaron. “Jewish women and their art, ”Washington Jewish Week ,, Feb., 26, 1998, p. 31
Boston (MA) Sunday Globe, “Art at New Hampshire College”, October 6, 1996, p. 47
“New show opening at DIAA gallery, Island Advantages: Compass, Deer Isle, ME, August 3, 1995 [photo] |
Exhibition Catalogs and DVDs |
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Balka, Sigmund R., Ceres Gallery Revisited, Roberts, Bryony “The Artists of Ceres Gallery”, Krasdale Gallery, NY, 2006
New Book Editions: Old, New Digital, O'Hanlon Center for the Arts, Mill Valley, CA, Juror, Betsy Davids, 2005
Maps and Memories, 2002
“JEWS, WOMEN AND ART”, Eighteen Artists: Issues and Ideas, pp. 38 and 40, Ori Z. Soltes, Director/Curator, 1998 |
Collections |
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New Hampshire College, Manchester, NH
Brooklyn Museum of Art Library, Brooklyn, NY
Museum of Modern Art Library, New York City, NY
National Museum of Women in the Arts Library, Washington, DC
Whitney Museum of American Art Library, New York City, NY
Various Individuals |
Affiliations |
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Women's Caucus for Art, [Board Member, 1993 – 1998], NYC Chapter
Deer Isle Maine Artist's Association, 1982 to present
New York Artists Equity, 1982 to present |
Education |
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New York University, PhD, New York City, NY
Columbia University, Teachers College, M.A., New York City, NY
Simmons College, B.S., Boston, MA
Joseph Wolins Studio, New York City, NY
Art Students League, New York City, NY
School of Visual Arts, New York City, NY
Manhattan Graphics Center, New York City, NY
City College Graduate Center, New York City, NY
New York Academy of Design, New York City, NY |
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547 West 27th Street Suite 201 New York, NY 10001 : 212-947-6100 :art@ceresgallery.org
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