



STATEMENT
Ceres Gallery is pleased to present Heidi Kumao’s solo exhibition, Fabrications: Stitched and Animated. Kumao combines thread drawings and fabric cutouts on industrial felt to create minimalist images of conversations and relationships. Similar in form to a New Yorker cartoon, each piece distills the emotional and psychological tenor of an interaction down to a single key moment.
These textile and animated works are episodic, a collection of potent moments fabricated from memory, and stitched together as necessary parts of a greater whole. Reimagined using sewing, fabric cutouts, thread and wool, these tactile depictions are intentionally imperfect, missing details much like any recollection. In the current political climate truth is often sidelined or distorted, and facts dismissed as fabrications. These works resist this erasure by highlighting personal storytelling as a necessary and powerful tool of preservation. By freezing moments of vulnerability and precariousness, the textile works focus on the unspoken power dynamics of workplace and domestic relationships.
The stop motion animations, “35 Days” and “LADIES.” are also composed from a series of discrete moments and use humor and absurdity to recount lived experiences from the pandemic and mid-20th century office culture. In “35 Days,” neighborhood callers provide clues (some helpful and some not) in the search for a lost cat, ultimately weaving together and revealing a community of care during the most isolating period in modern history. “LADIES.” uses physical slapstick to imagine and disarm the stereotypical roles and invisible gender politics that exist in traditional workplaces.
Heidi Kumao
Penny W. Stamps School of Art & Design
2000 Bonisteel Blvd.
Ann Arbor, Michigan 48109
hkumao@umich.edu
www.heidikumao.net
EDUCATION:
| The School of the Art Institute of Chicago, MFA in Photography, 1991 | |
| University of California, Davis, BA, Art Studio and BS, Chemistry, with Honors, 1982-88 |
SELECTED SOLO EXHIBITIONS:
| 2025 | Ceres Gallery, NYC |
| 2021 | Ceres Gallery, NYC, “Real and Imagined” |
| 2021 | Stamps Gallery, University of Michigan, Ann Arbor, MI |
| 2016 | Lane Hall Gallery, Institute for Research on Women & Gender and Women’s Studies, Univ. of Michigan |
| 2014 | Ceres Gallery, NYC “Surviving Confinement” |
| 2009 | Visual Studies Workshop, Rochester, NY |
| 2008 | Urban Institute of Contemporary Art, Grand Rapids, Michigan |
| 2001 | Three Rivers Art Gallery, Pittsburgh, PA, Int’l Sculpture Conference |
| 1999 | Museu da Imagem e do Som (MIS), Saõ Paolo, Brazil (Museum of Image and Sound) Museo de Arte Moderno, Buenos Aires, Argentina, Traveling solo exhibition |
SELECTED GROUP EXHIBITIONS
| 2025 | Kresge Foundation offices, Detroit, MI. “Art in The Office,” on display 2025-26 Cluster Museum, Ann Arbor, MI. “The Dam Broke” Office of the Provost, Univ. of Michigan. “ReNew,” on display for one year Ferndale Public Library, Ferndale, MI. “Material Motives,” Fiber Club Detroit Alma Gallery, Chicago, IL. “Warming House” |
| 2024 | Museum of Contemporary Art, Detroit, “Monster Drawing Rally” College of Health Sciences, Univ. of CA, Irvine, “Viral Integration,” Irvine, CA ARC Gallery (Artists Residents of Chicago), Chicago, “Ceres Gallery” Boyer-Campbell Building, Detroit, “Environment + Microclimates,” w/ Fiber Club Detroit Michigan Medicine, Univ. of Michigan Hospital, “Common Thread,” with Fiber Club Detroit |
| 2023 | Everson Museum, “50th Anniversary: Selections from Light Work Collection,” Syracuse, NY Visions Museum of Textile Art, “Interpretations 2023,” San Diego, CA Stamps Gallery, “Untold Stories, Part 1,” Faculty exhibition, Ann Arbor, MI The Convent, “Mending the Net”, Detroit Fiber Club, Detroit, MI “Lightwork 50th Anniversary Print Sale,” Syracuse, NY & online |
| 2019 | Artscape, “Animations on the Big Screen”, Baltimore, MD Shapiro Library, “Bookmarks: Speculating the Futures of the Book and Library”, University of Michigan, Barickuda Gallery, “Kindred,” Ann Arbor |
| 2018 | Palazzo Delle Esposizioni, Rome, Italy, “Human+ The Future of Our Species” Atkinson Gallery, Santa Barbara City College, CA, “Herself: Girlhood in Stop Motion Film” |
| 2017 | ArtScience Museum, Singapore, “Human+ The Future of Our Species,” (catalog) Ann Arbor Art Center, “Whipstitch: The State of Contemporary Textiles” |
| 2013 | Museum of Fine Arts, Florida State University, ““Heads Shoulders Genes & Toes” |
SELECTED AWARDS and HONORS :
| 2024 | American Legacy Book Awards, Finalist, Art Category, for“Heidi Kumao: Real and Imagined” |
| 2023 | Midwest Book Awards, 2023 Gold Award Winner, Art Category, for“Heidi Kumao: Real and Imagined” Nautilus Book Awards, Silver Award, Photography and Art Category for “Heidi Kumao: Real and Imagined” 2023 Best Book Awards Finalist, Art category for “Heidi Kumao: Real and Imagined” |
| 2016 | Big Muddy Film Festival, Best Experimental Short, IL Oxford Film Festival, Special Jury Mention, Experimental Film category, Oxford, MS |
| 2015 | Black Maria Film Festival, Jury’s Choice Award – 1st Prize, New Jersey Female Eye Film Festival, Best Experimental Film, Toronto Humboldt International Film Festival, Best Experimental Film, Humboldt, CA |
SELECTED ARTISTS’ RESIDENCIES
| 2025 | Cow House Studios, Open Residency Program, Ireland |
| 2024 | Ragdale Artist Residency, Lake Forest, IL Vashon Artist Residency, Vashon Island, Washington, USA |
| 2023 | Moulin à Nef Studio Center in Auvillar, France |
| 2022 | Virginia Center for the Creative Arts, Amherst, VA |
| 2017 | Willapa Bay Artist Residency, Oysterville, WA Leighton Artists’ Colony, Banff Arts Centre, Canada |
| 2013 | The Arctic Circle 2013 Summer Solstice Expedition, Svalbard, Norway |
PERMANENT COLLECTIONS
| The Exploratorium: Museum of Art and Perception, San Francisco, CA |
| Arizona State University Art Museum, Tempe, Arizona |
| The Museum of Fine Arts, Houston |
| Philadelphia Museum of Art |
| Light Work, Syracuse, NY |
| Joe C. Wen School of Population and Public Health, Univ. of California, Irvine |
| Private Collections, New York City, San Francisco, Connecticut, Buffalo,NY, Albuquerque, NM, Detroit, MI |
SELECTED INVITED ARTIST TALKS
| 2021 | Hamilton College, Hamilton, NY |
| 2019 | Maryland Institute College of Art, Baltimore, MD Center for Fiction, Brooklyn, NY Western Washington University, Bellingham, WA Institute for the Humanities, University of Michigan, Ann Arbor |
| 2018 | Santa Barbara City College, Art Department |
SELECTED RESIDENCIES:
| 2021 | Leighton Artists’ Colony, Banff Arts Centre, Canada, 2017 |
| 2019 | Willapa Bay Artist Residency, Oysterville, WA, 2017 |
| 2018 | Virginia Center for the Creative Arts, Virginia, 2019, 1918 |
Exhibition Publications :
| 2022 | Heidi Kumao: Real and Imagined, Maize Books (Michigan Publishing), 110 pages, color, paperback. Documents and contextualizes Kumao’s 2020 solo exhibition at the University of Michigan’s Stamps Gallery. Includes essays, interview and poetry |
| 2017 | Human+: The Future of Our Species, ArtScience |
| 2015 | Human+: The Future of Our Species, Centre de Cultura Contemporània de Barcelona (CCCB) New Media Art 2015: Across Voices, CICA Museum, Gimpo, Korea |





