STATEMENT
My paintings are a celebration of people and places that capture my imagination because of their unique composition, play of light, and color juxtapositions. I seek out images that transcend everyday experience, striving to elevate the ordinary to something poetic.
I’m drawn to the beauty of nature and specifically the subject of people working the land. I find the human form — rooted in nature, working or resting — endlessly fascinating. In my paintings I hope to express the timelessness of people’s connection to the earth, something that for many has been lost. And I want to convey the necessity of finding harmony in this relationship once more.
For many years I lived in Oaxaca, Mexico, where I painted farmers in a small Zapotec village. It was a transformative experience for me as an artist. I was struck by the fact that most of the farming was being done by women, and I learned that this was because many of the men were working in the United States. This gave rise to the empowering of women, who found themselves for the first time in positions of authority — in the fields, at home, and in local government.
Over time I became close to many of these women and was invited to accompany them to the fields. It was a special privilege, and it allowed me to paint en plein air where I could capture the light and subtlety of color. I also took photographs of the women to use as a reference. At times I returned to the fields alone, painting the landscapes at different times of day. In my studio I worked from the images I collected in the field, creating full-size paintings.
Recently I moved back to New York City. I craved the images of people working the land and began a series of paintings of the city’s rooftop farms. Though a world apart from southern Mexico, these farms in the sky have a beauty and power of their own. They bring people together in a special connection with nature, creating new possibilities for the greening of the city, and providing a ray of hope for the future. They also have inspired me to embark on a new project rooted in my deepest passion.
Elizabeth Downer Riker
elizabethdownerriker.com Re-enchanting the City
ebdriker@gmail.com
Education:
Art Students League, NY | |
New York University, NY, MFA Film | |
Georgetown University, DC, BA History |
Solo Exhibitions:
2021 | Re-enchanting the City, Ceres Gallery, New York City |
2017 | Beneath The Same Sky, Ceres Gallery, New York City |
2012 | Life in the Valleys of Oaxaca Multicultural Arts Center, Cambridge, MA |
2010 | Women in the Fields Municipio de San Bartolomé, Oaxaca, Mexico |
Group Exhibitions:
2021 | Salmagundi Club, Figuratively Speaking, New York City Ceres Gallery, Outside My Oeuvre, New York City |
2020 | Salmagundi Club, Annual Members’ Fall Exhibition, New York City Ceres Gallery, Life As It Is Now, New York City Salmagundi Club, View Out My Window, New York City Salmagundi Club, Annual Members’ Exhibition, New York City |
2019 | Ceres Gallery, Raising Women’s Voices, New York City |
2018 | National Arts Club, 27th Annual Roundtable Exhibition, New York City Hebrew Union College Museum, The Climate and Me, New York City Superfine Art Fair, New York City The Outsider Art Fair, Onward, New York City |
2017 | Ceres Gallery, My Favorite Things, New York City Ceres Gallery, Women Under Siege, New York City |
2016 | Ceres Gallery, Summer Celebration, New York City |
2011 | Galería La Biznaga, Oaxaca, Mexico Municipio de San Bartolomé, Oaxaca, Mexico |
2010 | United AIAR Artists, Gstaad, Switzerland Galería Ocho Mujeres, Oaxaca, Mexico |
Educator:
2011 | San Bartolomé Arts Program, Oaxaca, Painting Instructor |